Stephen Barber

Stephen Barber’s books have been acclaimed as ‘brilliant, profound and provocative’ by The Times newspaper, and he has been called ‘a writer of real distinction’ and ‘the most dangerous man in Europe’ by The Independent newspaper. The Sunday Times newspaper hailed his books as ‘exhilarating and disquieting’.

He has been awarded many grants, awards and prizes for his work, by such international bodies as the Rockefeller Foundation (Bellagio Program), the Henkel Foundation, the Getty Foundation, the Ford Foundation, the Annenberg Foundation, the DAAD Programme, the Leverhulme Trust, the UK Arts and Humanities Research Council, the British Academy, the Japan Foundation, the Saison Foundation, the Daiwa Foundation, and the Mellon Foundation, among many others.

Stephen has a PhD from the University of London, awarded in 1990. Over the past twenty-six years, he has been a professor and arts researcher at universities and arts institutes in many countries, such as the California Institute of the Arts in Los Angeles, the Berlin University of the Arts, the IMEC Institute in Paris, and the University of Tokyo. From October 2012 to September 2015, he was an Invited Fellow at the Berlin Free University’s International Research Centre in Interweaving Performance Cultures. He is now a Research Professor at the Kingston School of Art, Kingston University, London.

From 1990 to 2017, he has published twenty-five books (twenty non-fiction books and five fiction books), along with one edited book, one co-authored book, and one co-edited book. His published books are: Antonin Artaud: Blows and Bombs (1993: Faber & Faber UK, Farrar Straus & Giroux USA, Chicago University Press USA), Fragments of the European City (1995: Reaktion UK/USA), Weapons of Liberation (1996: Faber & Faber UK, Farrar Straus & Giroux USA), Edmund White: The Burning World (1999: Picador UK, St Martin’s Press USA), Artaud: The Screaming Body (1999: Chicago University Press USA/UK), Caligula: Divine Carnage (co-authored with Jeremy Reed: 2001, Solar UK/USA), Tokyo Vertigo (2001, new version 2011: Chicago University Press USA/UK), Extreme Europe (2001: Reaktion UK/USA), Projected Cities (2002: Reaktion UK/USA), Annihilation Zones (2002: Creation UK/USA), Genet: Pages Torn from the Book of Jean Genet (2004: Reaktion UK/USA), The Art of Destruction (2004: Solar UK/USA), The Vanishing Map (2006: Bloomsbury UK/USA), Hijikata: Revolt of the Body (2006: Chicago University Press USA/UK), Tokyo Sodom (2006: Creation UK/USA), Tokyo Slaughterhouse (2007: Creation UK/USA), Tokyo Supernova (2007: Creation UK/USA), London Eyes (co-edited with Gail Cunningham: 2007: Berghahn UK/USA), Artaud: Terminal Curses (2008: Chicago University Press USA/UK), The Tokyo Trilogy (compendium edition of the three Tokyo novels: 2008: Creation UK/USA), Cities of Oblivion (2009: FF Publishers USA/UK), Abandoned Images (2010: Reaktion UK/USA), The Walls of Berlin: Urban Surfaces, Art, Film (2011: Chicago University Press USA/UK), Muybridge: The Eye in Motion (2012: Chicago University Press USA/UK), England’s Darkness (2012: Sun Vision Press USA/UK), Pasolini: The Massacre Game (co-edited with Anna Battista: 2012: Sun Vision Press USA/UK), Artaud: The Anatomy of Cruelty (compendium edition of the three books on Artaud: 2013: Sun Vision Press USA), Performance Projections (2014: Reaktion UK/USA), Pierre Guyotat: Revolutions and Aberrations (2016: Vauxhall & Company UK), and Berlin Bodies (2017: Reaktion UK/USA).

Two completed new books are forthcoming for publicationThatcher’s Tomb (to be published by Infinity Land Press, in January 2018) and White Noise Ballrooms (to be published by Diaphanes, in May 2018).

He is currently writing a new book for publication by Diaphanes in 2019: Film’s Ghosts.

His books have been translated into many languages, such as Japanese, Chinese, Indonesian, French, Spanish, and Turkish.

He has also written many short texts for magazines, collections and arts publications, worldwide.

He has given many internet, tv, radio and press interviews on his work.

Stephen has travelled very widely for his work and has lived in Tokyo, Los Angeles, Berlin, Paris, Vienna and London, among other cities. He currently lives in Glastonbury, England.

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